PHOTOGRAPHY INFORMATION
GEAR:
The gear for this hike is more than just camera gear. If you choose to do it this way, it would be an all-day event, so be prepared. Bring your widest-angle lens. The most important thing to bring is your set of Neutral Density Filters. If you don’t have them, don’t go. Buy them first. Here is the link to purchase our favorite filters, which we used in the pictures above.
A good, sturdy, light tripod to carry all day is a must. Bring extra batteries. We recommend having three camera batteries if you plan to complete the 3.2-mile loop or the entire loop. You will be shooting in live view mode all day, and nothing drains the battery as fast as live view. Do not run out of memory cards. Shoot this raw to remove blaring white highlights if the sun pops out. Raw takes up significantly more space to accommodate extra cards. Bring them in a waterproof carrying case, just in case.
Bring water and food. A light backpack is a good thing to have. Thank you to my new friend for saving the day. We were out of snacks and starving when we met fellow photographers Brian Kerr and Voila. He offered us power bars, which got us through to 4:45. The moral of the story: Don’t forget your power bars! He’s a super cool guy who saved the day!
WHEN TO GO:
The most important things to know: Bright sunshine is not our friend when doing waterfall photography, and even the slightest drizzle will make the rocks as slippery as can be here—Timing. We got it right — cloudy skies with occasional sunshine and zero precipitation. We watched the weather and left the night before. We saw perfect conditions. The park is closed for the winter except for those with the proper ice shoes. Please verify the exact details with the park directly. Please refrain from doing this on a holiday weekend; instead, consider doing it mid-week. There was barely anyone else there at 7 a.m.
SETTING UP YOUR CAMERA FOR MILKY WATERFALL PHOTOS:
1. TRIPOD:
You will need to put your camera on a tripod and expose the image using a remote shutter release. If you don’t have a remote shutter release, you can also use the camera’s 2-second self-timer. However, this will only work if you use a tripod, so if you’re new to this, please note that a tripod is an absolute must.
2. LIVE VIEW MODE:
We suggest using the live view mode. The mirror automatically locks up when using this mode. Shooting from a lower angle does make more dynamic images.
3. NEUTRAL DENSITY FILTER:
Put your neutral density filter on your camera. Even on a cloudy day, you will want to use an ND filter. It’s like sunglasses for your camera. You can do a more prolonged exposure, which is what makes the milky effect of the water movement. The darker the ND Filter, the longer you can expose it. Learn how to use a neutral density filter and discover our recommended options.
4. CAMERA SETTINGS:
Set your camera to manual mode, then set the aperture to the smallest one (most will be f/22, some will be f/29). Set your ISO to 100, or the lowest setting available on your camera. Looking through the camera, roll the shutter speed so that the exposure level indicator reads ‘0’ on the exposure scale. Without a filter, you may not get lower than 1/15th of a second, or even that low on a sunny day. This is why a neutral density filter is so important. We have a 3.0 filter. We can do a 30-second exposure at noon in bright sunshine with that bad boy.
5. 2-SECOND TIMER:
Set your camera on a 2-second timer or use your shutter release to expose the image. Evaluate the image. If your idea has hot spots (areas of overexposed spots), slow your shutter speed down to a stop and test again until it is just right. Remember, the darker the filter, the longer the exposure.
6. EXPOSING PROPERLY:
Check each image as you go so you do not blow out the highlights of the white water. It is better to underexpose a shot than overexpose it. You can fix an image that is too dark, but you cannot fix blown-out highlights.
IMPORTANT THINGS TO KNOW – WATERFALL PHOTOGRAPHY
What type of lighting is best for waterfall photography?
The early morning light or the late afternoon is ideal. If you arrive early, before direct sunlight casts stark, contrasting shadows, this diffused illumination is generally more manageable and often yields superior photos.
Overcast days help avoid overly bright highlights in the water’s reflections.
Are there any lens filters recommended for photographing at Ricketts Glen?
See step number three for the link to the page for the detailed explanation of neutral density filters. You may have noticed that we told you not to come here without one.